Document Type

Review

Publication Date

11-7-2017

Description

Excerpt: Sam Shepard and the Aesthetic of Performance begins with an exciting premise: its author Emma Creedon takes issue with scholars who have aligned Shepard's play with realism, nauralism, or, as she more simply puts it, with "Reality" (xi).

Copyright Statement

This document was published with permission from the publisher. It was originally published in the Journal of Contemporary Drama in English.

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