An Analysis of and Guide to Tamora Pierce’s Protector of the Small Quartet as Compared to the Established Young Adult Fantasy Canon
Location
Culp Room 219
Start Date
4-6-2022 1:30 PM
End Date
4-6-2022 1:45 PM
Faculty Sponsor’s Department
Literature and Language
Name of Project's Faculty Sponsor
Karen Kornweibel
Competition Type
Non-Competitive
Type
Boland Symposium
Project's Category
Language or Literature
Abstract or Artist's Statement
Tamora Pierce’s work has been cited by many Young Adult fantasy authors as a major influence in recent years. Despite this, her work remains relatively obscure among librarians and readers of Young Adult literature. This paper examined one of Pierce’s Young Adult fantasy series, Protector of the Small, by comparing the series to existing works of Young Adult fantasy literature commonly accepted as classic or canonical literature. Among the comparative works were titles authored by J. R. R Tolkien, C. S. Lewis, J. K. Rowling, and Philip Pullman. Comparison was character-focused, with emphasis on the representation of parents, other sympathetic adults, peers, and family units. Some comparison was also focused on the representation of antagonists in the selected works. The aim of the comparative analysis was to serve as a guide for librarians, teachers, and readers of Young Adult literature to better understand potential target audiences for the Protector of the Small quartet. It was found that target audiences for the series would likely seek or benefit from the Protector of the Small quartet’s inclusion of supportive parental and mentor figures, strong familial bonds, and supportive and communicative peers. Target audiences would also seek literature with nuanced antagonists capable of character growth. Most prominently, target audiences would seek Young Adult fantasy literature that addresses real-world issues and challenges for young women, including sexism, puberty, and reproductive healthcare.
An Analysis of and Guide to Tamora Pierce’s Protector of the Small Quartet as Compared to the Established Young Adult Fantasy Canon
Culp Room 219
Tamora Pierce’s work has been cited by many Young Adult fantasy authors as a major influence in recent years. Despite this, her work remains relatively obscure among librarians and readers of Young Adult literature. This paper examined one of Pierce’s Young Adult fantasy series, Protector of the Small, by comparing the series to existing works of Young Adult fantasy literature commonly accepted as classic or canonical literature. Among the comparative works were titles authored by J. R. R Tolkien, C. S. Lewis, J. K. Rowling, and Philip Pullman. Comparison was character-focused, with emphasis on the representation of parents, other sympathetic adults, peers, and family units. Some comparison was also focused on the representation of antagonists in the selected works. The aim of the comparative analysis was to serve as a guide for librarians, teachers, and readers of Young Adult literature to better understand potential target audiences for the Protector of the Small quartet. It was found that target audiences for the series would likely seek or benefit from the Protector of the Small quartet’s inclusion of supportive parental and mentor figures, strong familial bonds, and supportive and communicative peers. Target audiences would also seek literature with nuanced antagonists capable of character growth. Most prominently, target audiences would seek Young Adult fantasy literature that addresses real-world issues and challenges for young women, including sexism, puberty, and reproductive healthcare.