Honors Program
University Honors
Date of Award
5-2016
Thesis Professor(s)
Tammy Hayes
Thesis Professor Department
Communication
Thesis Reader(s)
Scott Honeycutt, Shara Lange
Abstract
In the early 1930’s the film business was booming and filled with sex, drugs, and scandal. All of that changed in 1934 with the enforcement of the Hollywood Production Code which effectively cleaned up the business into what most people today remember as classic Hollywood. By analyzing films from the Pre-Code era, and specifically Baby Face (1933), the roots of self-censorship in Hollywood can be traced to their current incarnation in the film business today.
Publisher
East Tennessee State University
Document Type
Honors Thesis - Open Access
Creative Commons License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License.
Recommended Citation
Lockhart, Morgan B., "Tracing Hollywood’s Legacy of Self-Censorship through a Comparative Analysis of the Film Baby Face (1933) in its Censored and Uncensored Forms" (2016). Undergraduate Honors Theses. Paper 323. https://dc.etsu.edu/honors/323
Copyright
Copyright by the authors.