Degree Name

MA (Master of Arts)

Program

History

Date of Award

12-2004

Committee Chair or Co-Chairs

Elwood D. Watson

Committee Members

Alison Deadman, Stephen G Fritz

Abstract

In this study, I examined musical recordings from the jazz idiom that relate to events or ideas involved in the Civil Rights Movement during the mid-1950s through the mid-1960s. The study focused on the four following musicians' recordings: Charles Mingus, Fables of Faubus; Sonny Rollins, The Freedom Suite; Ornette Coleman, Free Jazz; and John Coltrane, A Love Supreme. The study relies primarily on the aforementioned recordings, critics analysis of those recordings, and events that took place during the Civil Right Movement.

The study concludes that these recordings are not only commentary about ideas and events but historically representative of the movement as well.

Document Type

Thesis - Open Access

Copyright

Copyright by the authors.

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