Degree Name

MA (Master of Arts)

Program

Art

Date of Award

5-2004

Committee Chair or Co-Chairs

Mark Russell, Peter H. Pawlowicz, Ralph D. Slatton

Abstract

Rembrandt's influence on the medium of printmaking can only be explained through his methodology in the production of his images. Experimentation is the key word to describe his evolution in style as he mastered the skills necessary to achieve his desired result. This paper will focus on this experimental attitude towards the medium and the subsequent inspiration it gave to me and other artists. Also included is a technical and stylistic comparison of various etchings by Rembrandt and my six prints that serve as a visual illustration and personal interpretation of the artist's method.

My research consisted of the consultation of many texts that aided in my supportive argument and eventual conclusion that Rembrandt created his place in history as an avant-garde in printmaking through his willingness to experiment with various methods in the production of his images.

Document Type

Thesis - Open Access

Copyright

Copyright by the authors.

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